时候 SCIE

期刊简介估计审稿时候： 19 Weeks

Tempo exists to document the international new music scene while contributing to, and stimulating, current debates therein. Its emphasis is on musical developments in our own century, as well as on music that came to prominence in the later twentieth century that has not yet received the attention it deserves. The articles and reviews cover the new music scene in all its complexity, featuring discussions of compositional trends, performance practices, listening practices, new music contexts and reception histories. TEMPO is sympathetic both to writing about new forms of creative practice (electronic, interdisciplinary, performance-based) and to writing that employs innovative methods of enquiry that differ from the aims of traditional musicology.

TEMPO的存在是为了记实国际新音乐场景，同时为以后的争辩做出进献并激起争辩。它的重点是咱们这个世纪的音乐成长，和二十世纪前期崭露锋芒但还不取得应有存眷的音乐。这些文章和批评涵盖了新音乐场景的一切庞杂性，包含对作曲趋向、扮演理论、听力理论、新音乐背景和接管汗青的会商。TEMPO既附和对于新情势的缔造性理论（电子、跨学科、基于表现）的写作，也附和接纳差别于传统音乐学方针的立异探讨体例的写作。

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